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Jim Jarmusch: Interviews (Conversations With Filmmakers Series), by Ludvig Hertzberg
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Synopsis
As the interviews (reprinted verbatim) in this volume reveal, Jarmusch has always been interested in mixing sharply opposing cultural ingredients to form something uncategorizably new in films that transcend boundaries between high and low culture. Ranging from 1981 to 2000, these interviews chronicle the oeuvre of an acutely independent filmmaker. Jarmusch discusses actors with whom he has worked (Johnny Depp, Forest, Whitaker, and Roberto Benigni among them), the development of his camera and editing techniques, his fascination with the co-existence of disparate cultures, and his cult status as an indie.
Klappentext
Collected interviews with the American independent film director of Permanent Vacation, Stranger Than Paradise, and Ghost Dog: The Way of the Samurai
Produktinformation
Taschenbuch: 244 Seiten
Verlag: University Press of Mississippi; Auflage: abridged edition (26. November 2001)
Sprache: Englisch
ISBN-10: 1578063795
ISBN-13: 978-1578063796
Größe und/oder Gewicht:
15,2 x 1,5 x 22,9 cm
Durchschnittliche Kundenbewertung:
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Amazon Bestseller-Rang:
Nr. 186.363 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
I found two volumes of this "Conversations With Filmmakers Series" at a university library in Japan, and as soon as I could, I bought both for my personal library: Jim Jarmusch and Peter Greenaway. The reason: I think that, if you do a map of contemporary filmmaking, the North Pole and the South Pole would be these two gentlemen. Everything else is somewhere in between. I don't know if any of these two directors is actually so clear, so witty and so self aware, or if it is just good editing work, but very few times you'll find books of film criticism to be so insightful, so revealing and yet, so simple. I know this sounds vulgar, but I'd give up stuff like Film Semiotics if only the University Press of Mississippi had published more books of these series. I just ordered a third book: Akira Kurosawa.
"I consider myself a minor poet who write fairly small poems. I'd rather make a movie about a guy walking his dog than about the emperor of China."- Jim JarmuschOver the last few years, University Press of Mississippi has released several book under their "Conversations with Filmakers Series." Past directors in the series have included Martin Scorsese, Bernardo Bertolucci, Jean-Luc Godard, and Quentin Tarantino. I've read just about all of them, and I have to say this one, about American independent film director Jim Jarmusch, is one of my favorites.The book consists of seventeen interviews of Jarmusch ranging from 1981 to 2000. During that time, Jarmusch has released independent classics starting with Stranger In Paradise(1984), Down By Law(staring a young Robert Benigni-1986), Mystery Train(1989), Dead Man(1995), and Ghost Dog:Way of the Samurai(1999).These series of interviews reveal some of the meaning and influences that helped shape those films.For those who might not know, Jarmusch is not only a brillaint director but he is also a facinating conversationalist. In the interviews, he describes his backgroung starting in Akron, Ohio and his early college years studying abroad in Paris, France. As an "outsider" studying in a foreign country, Jarmusch was never able to forget that feeling, and you can tell that when you watch his movies.What's fascinating about Jarmusch is his mixing of "high' and "low" cultures which permeates his films. In the interviews, he admits being obsessed with the Japanese director Ozu and, at the same time, being influenced by the TV show "The Honeymooners."I've been waiting for years on a biography about Jarmusch. Although this not a biography(or autobiography or that matter),it is an excellent introduction this director's life and work. I recommend it to not only Jarmusch nuts, but to anybody who interested in American Independent movies.
If you read the first chapter, you will know everything you need to know about the rest of the book. The interviews are all the same and so are the answers. I got bored with the monotony so I never finished the book.One good thing about the book is that you get to know Jim Jarmusch ideas and concept behind his films, a good reason to get the book if you are an admirers of his films like myself.
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